Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe

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Vista previa	Fecha de publicación	Título	Autor(es)
	-	Throwing in Technical Objects on Contemporary Stages	-
	-	Composition Plans in Action: poetics of everyday possibilities	-
	-	Comparing Stage Presence and Virtual Reality Presence	-
	-	4D Art: real and virtual bodies, an augmented reality	-
	-	Expediente	-
	-	Presence and Micro-politics of the Sensible: Ouverture Alcina, an example of Postdramatic Composition	-
	-	Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies	-
	-	Instant Composition: choreographic training of the dance artist and his corporeality	-
	-	Finding Meaning in the Experience of Movement: a look at the practice of four teachers in Québec	-
	-	Attentiography of the Body: correlations between Lisa Nelson and Gilbert Simondon’s work from a narrative fragment	-
	-	Teaching Dance: a complementary approach for modern actor training	-
	-	A Glance Upon Material for the Spine, by Steve Paxton	-
	-	Performative Body: the stakes in the contemporary stages	-
	-	Motim: laughter’s ‘relational thinking’ as contagion in a process dramaturgy	-
	-	Between School and University: dinosaurs and little notebooks towards an embodied dramaturgy	-
	-	Media Narratives on the relation between body and olympic games in the 1890s and 1900s	-
	-	Theatricality, between Theories and Practices: a glance at Théâtre du Soleil’s approach	-
	-	Pedagogy of the Possessed: re-thinking the Dancer-Researcher-Performer (BPI) method in dance curricula in Brazil	-
	-	The Cutthroat Colonel’s Horn: an aesthetic-political action	-
	-	Acts as Performance in the Occupation of the Urban Space: against a model of city for mega-events	-