Pina Bausch and Café Müller on screen: the mise-en-scène of co-presence of bodies and closed eyes

Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe

Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166018

Título :	Pina Bausch and Café Müller on screen: the mise-en-scène of co-presence of bodies and closed eyes
Palabras clave :	Pina Bausch. Café Müller. Cinema. Co-presence. Representation.;Co-presença do corpo e da câmera em ação dançante no cinema
Editorial :	Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença
Descripción :	This article addresses the issue of co-presence of dancing bodies in an excerpt of Café Müller by Pina Bausch through the cinematographic eye of Wim Wenders in Pina (2011). As a theoretical framework for this analysis, essayist and filmmaker Jean-Louis Comolli ‒ mise-en-scène, representation, co-presence ‒ and the film philosophy of difference as proposed by Gilles Deleuze are brought to scene. While shaping itself on relations with time, the empirical object of this analysis traces ruptures and refractions of images as power of representation. From the (im)perfection of the closed eyes in Café Müller to the (re)presentation in a false-raccord of a coalescent image: the eyes of a cinematographic montage as production of presence in dance.
URI :	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166018
Otros identificadores :	https://seer.ufrgs.br/index.php/presenca/article/view/81181
Aparece en las colecciones:	Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

Ficheros en este ítem:

No hay ficheros asociados a este ítem.